I am enjoying the Open Studio that the senior center in my hometown (Keller, TX) is letting me host. We have been meeting Wednesday afternoons. January’s session is over, but February we’ll be back at it. This is the picture I started this past Wednesday and finished at home.
6″ x 8″ opaque watercolor (Dick Blick premium tempera) on 140 lb. Strathmore 400 watercolor paper. If you are wondering what the “stucco effect” is from: I’ve been experimenting with acrylic mediums on paper (and just a few days ago, on artist’s canvas). This is Liquitex (R) modeling paste, applied with a palette knife then textured by pressing & lifting a scrap of very heavy/coarse artist’s canvas (#8 or #6 I think).
Have also been experimenting with final acrylic glazes on my most recent watercolors. This one has one coat of Liquitex matte varnish. I believe that has solved the scanner-reflection problem I had with the gloss finish (which I do prefer, but not if I can’t scan things).
6″ x 8″ tempera on acrylic varnished artist’s canvas
Three Pears experiment
I did this quote-unquote very quickly…just so I could see how cutting my own squares of canvas and backing them with a FLEXIBLE cardstock would work out “in the field.” The wrinkles you see here, there, and running across the picture will never come out: I was so smart back when I bought the stuff that I decided to pre-shrink the enitre role of lightweight unprimed canvas. In a swimming pool. On a length of PVC pipe “to KEEP it from wrinkling.” Famous last words.
Please, DON’T you DO THAT. Repeat: the wrinkles will never come out.
When I found this particular photo of pears on PaintMyPhoto with the wrinkled white tablecloth, I thought, “pe(a)rfect.” After sufficiently thick-ish color layers were dry I varnished it (and got smearing of the near-black background) and then did some touch-up with more tempera. Before a second matte varnish I used a spray “workable fixative” to prevent any more smearing. It seems to have worked.
Moderate flexing of the fully-dry painting does not seem to leave/make any cracks, etc. I feel very comfortable about cutting PRIMED canvas to 8.25″ x 10.25″ and stapling each one (within that extra 1/4″) to, say, 8.25+” x 10.25+” single-thickness corrugated cardboard for working on-the-go. Keeping them small means they might fit in document sleeves for further “travel protection.”